
...written and compiled by spank.

Were trying to get a record contract before June so I dont have to get a proper job, says Ian, one quarter of the 4Uno collective along with Adjustable Joe, Lone Smoker, and Karizma. Got to set yourself goals, as Adjustable Joe puts it. 4Uno certainly seem to have good direction for a group whove been working together for less than a year since we got the equipment.
It took a couple of months just to get it clicking so we could actually work together, Joe goes on. In our first few months of stuff, we ended up writing tunes that were fifteen minutes long just cause we had too much input. Now we know that we can just calm it down, give it a few tweaks and get down to the essence of what we want to do. There wasnt a track we played last night that didnt get worked over by all of the group. The trip garage thing was born of sounds that are stolen from him, he says, turning to Lone Smoker, who, appropriately, is quietly rolling and smoking in the corner.
The Trip Garage thing is the most intriguing aspect of 4Unos set. The breakbeat disorientates through a sort of irregular regularity: it has a wobbly groove that harks back to body-popping and electro, but the sounds are strictly class of 98 stuff, all trip-hop sound textures and big bass noises. For such an unusual and proudly unconventional track, it goes down a storm on the dancefloor. Thats my baby, smiles Adjustable Joe. Im hoping I can keep it on that vibe, and not have to sell out and go down a more commercial track. I was very encouraged by the reaction last night, I had been quite apprehensive, but you will be hearing more. We certainly hope so.
4Uno were talking to Malcolm and Tim, in March 1998.